New to Typophile? Accounts are free, and easy to set up.
One of the subjects for the History of Graphic Design in South Louisiana project is James Gabour, 96, who still goes every day to his printing plant in Pineville, Louisiana.

For a while he was the local Linotype sales and service rep, his region around here was quite large.
James' son, Jim Gabour, Artist in Residence and Professor of Video Technology, Loyola University New Orleans told me about his dad and we have been corresponding about him ever since.
Following is the text from some of that correspondence while setting up my appointment to take James oral history:
"Sent: Date: Jun 21, 2008 9:43 AM
To: nancy sharon collins
Subject: Re: dad
Thanks, Nancy.
Dad loves the attention. The Smithsonian was talking to him about a print museum a couple of years back, right before Bush destroyed their funding. We have been trying to get him to safeguard this huge amount of material for years. Maybe your attention will make him value them more.
My first interview was just to get him to demo the operation and function of all the machines, graphic and type formats before they decayed or that old place burns down. Later this summer i am going to talk to him more on-camera about history.
He has a lot of that:
he was heavily into Indian motorcycles
he was a mess sergeant in the army, stationed in panama during WWII
he went to linotype school in brooklyn for a year or so, then more study in Chicago
he was shop steward for the printer's union at the daily where he and my mom met (she was a cub reporter), and when the national union called a strike and the daily replaced everybody with scabs he started up a rival daily that lasted a couple of years
his linotype territory include northern Mexico
When he and Mom got those weekly papers, as the eldest i worked three minimum ten-hour days a week after school from age 8 until i left for university at 18 on a press association scholarship. We started typesetting MON, laid out ads and pages TUE, and worked until midnight or later WED with the press run and printing and affixing mailing labels.
It was a good experience, and i watched him make it work
jg
--
Sent: Jun 23, 2008 7:11 AM
To: nancy sharon collins
Subject: Re: linotype
when i ride my bike to the gym today i will try and shoot a few pix of the linotype bldg and send them along. i will send them to Dad too, as he remembers working in the bldg well
funny, every time i hold one of those 108-point wood letters in my hand i think of the human energy invested in its existence. and the metal 2-point no less
did you see that odd "machine" for hand-setting type on the diagonal? pretty cool. i forget what he called it, but i don't remember it being there in my decade of residence as a child. he has continued picking up odd bits of print shops that have gone under over the years, and even though he no longer uses them he keeps them in shape and treasures them
jg
--
To: nancy sharon collins
Subject: empty space
Date: Jun 25, 2008 2:06 PM
Attachments: linotype space.jpg
this is where the linotype bldg stood until very recently, at the corner of Union & Baronne -- i went to a few great art-opening parties in its new lobby prior to the storm, and it was a wonderful space. must have taken a Katrina hit, like many others
as you can see, when they tore it down they painted where it adjoined the other buildings
just got its first burst of grafitti
the passage of time is marked in many ways

Comments
28 Jun 2008 — 6:20pm
Nancy,
Just wanted to say that I like the historical and cultural perspective that you bring to the forum. Its always a pleasure to read stories like this.
Stephen
30 Jun 2008 — 4:00pm
Why should it be "mean old W's" fault when plenty of private concerns could have stepped up to the plate?
Tired of the entitlement mentality.
1 Jul 2008 — 4:03am
Did not mean for that to come out terse and forgot to say I would be happy to make a contribution if they decide to go with private funds.
Michael
1 Jul 2008 — 7:27am
"Tired of the entitlement mentality."
I'm tired of my tax money going to private concerns rather than public.
1 Jul 2008 — 9:44am
That's what I was saying!
Michael
1 Jul 2008 — 9:49am
I'd call a museum public. But, whatever, we're derailing this thread. ;o)
Nice post Nancy. Sorry for politicizing it.
2 Jul 2008 — 2:38pm
Hi,
Nancy here. I have been in the field taking more oral histories so lost the thread. Umm, what did I miss? Where did the mean old W and entitlement aspect come into my original blog, I would love to know (with my head so much into history maybe I miss the current connections.)
Sunday I found out that James Gabour has every catalog, manual and written record from his time as a Monotype rep. I captured about an hour of video on him this go 'round.
Thanks for allowing history to be inspiring.
2 Jul 2008 — 3:44pm
Sorry Nancy... the mean ole W remark was a gut reaction to the propensity for piling on Bush when in fact I think it was gutless politicians who probably slashed the bill fearing for their political lives. Don't know and willing to be corrected. As to the funding I think since it was a private concern it should be kept from under the thumb of the "guberment" as they usually muck up the works. Hence my willingness to contribute to the cause. As to the public versus the private I think the line has been blurred for so long that those concerned with a particular facet of our heritage should belly up to the bar and forget the bureaucrats.
Just trying to help, tell me what I can do.
Michael
3 Jul 2008 — 5:51am
1. I am petitioning for TypeCon to come to New Orleans 2011, please support this initiative.
2. Prior to this I was just made Special Projects Director, AIGA New Orleans. Most of my efforts will go towards the "History of Graphic Design in South Louisiana Project". AIGA is all volunteer and the local chapter is supported only by its members (about 40 professional) so our pockets are quite shallow.
http://neworleans.aiga.org/home/history_project_1
Do you think that if I asked for donations for a designated fund anyone would help? We need operating expenses and storage (translate: gas money to take oral histories and hard drive space and physical storage space.)
3. Follow my line of reasoning as I draft the long form of the article I am working on, "New Orleans Green Salon 2008" for the Seattle Journal for Social Justice. (I have copied and pasted the abstract below:)
2008 New Orleans Green Salon
Nancy Sharon Collins and Daniela Marx
Loyola University New Orleans
Abstract:
Throughout North America, AIGA Center for Sustainable Design (CFSD) uses “green salons” to promote sustainable practices in design. In March 2008, Loyola University New Orleans hosted a Salon. In a city traditionally filled with creative vitality, what could sustainable currently mean when New Orleanians were still being consumed by efforts to stabilize communities, careers and individual lives? Quoting from the original notes and video footage taken during the New Orleans Salon, this article chronicles events, expert opinions and artistic insights as well as anecdotal community and individual concerns. By examining the text of this one-day event this article shows the tenuous relationship between academia, community, business and the arts in a city still challenged by the aftermath of great disaster.
http://sustainability.aiga.org/discussion/2008/03/bright_mississi.cfm
http://neworleans.aiga.org/events/2008/03/17421097